The Timeless Wit of Tom Lehrer
- navjot2006grewal
- Apr 21
- 4 min read

I first stumbled upon the genius of Tom Lehrer sometime in 2018. It all began with a song that still stands out to me today: his darkly funny piece on Wernher von Braun. One listen, and I was instantly hooked. I had never heard anything quite like it — sharp, clever, musically catchy, and absolutely ruthless in its satire. That song opened the door to a whole world of Lehrer's work for me, and once I stepped in, there was no turning back.
Slowly but surely, I ventured deeper into his songs. Some of my favourites (and it’s genuinely hard to choose) include We Will All Go Together When We Go, Poisoning Pigeons in the Park, The Elements Song, National Brotherhood Week, So Long Mom (A Song for World War III), and The Masochism Tango, to name just a few. If I had to pick an absolute favourite, though, it’s We Will All Go Together When We Go. The cheerful melody mixed with apocalyptic lyrics is just the kind of twisted humour I find impossible to resist. I’ve probably listened to that song hundreds of times by now — and somehow it still feels fresh every time.
What amazes me even more is the fact that Tom Lehrer has placed all his music into the public domain. That's right — on his website, he announced that anyone can now download, share, remix, or perform his songs freely. And considering that he mentioned his website might be taken down sometime in the near future, I made sure to download everything while I still could. It's rare for an artist of his stature to let go of ownership so generously, but it fits perfectly with his style: unpretentious, straightforward, and quietly subversive.
Here’s a little analysis of the songs I mentioned earlier .
Wernher von Braun
This was my introduction to Tom Lehrer and it couldn’t have been more fitting. The song skewers the moral compromises made by scientists — specifically Wernher von Braun, who helped develop rockets for Nazi Germany and later for the U.S. space program. The tune is light, almost whimsical, but the satire cuts deep. It’s a masterclass in saying something serious without being heavy-handed.
We Will All Go Together When We Go
If Lehrer's work had a national anthem, this might be it. Set to an upbeat melody, the song gleefully imagines the end of humanity via nuclear apocalypse. It’s morbid, yes, but somehow it feels comforting too — if we all go together, at least we won’t be lonely. It’s dark humor at its absolute finest.
Poisoning Pigeons in the Park
One of Lehrer's most famous songs, this one paints a bright, sunny day — the perfect setting for, well, poisoning pigeons. The cheerful arrangement makes the gruesome subject matter even funnier. It’s a perfect example of his knack for playing with expectations.
The Elements Song
This is probably Lehrer's most technically impressive piece — a rapid-fire list of the chemical elements set to the tune of Gilbert and Sullivan’s Major-General’s Song. I've always loved the Major-General’s Song, so The Elements feels like it lands right in the centre of my music taste Venn diagram. It's hilarious, clever, and genuinely educational all at once. Even now, I still find myself randomly humming parts of it.
National Brotherhood Week
This song delivers a biting satire of shallow, performative unity. Lehrer pokes fun at the idea that deep racial and religious divisions can be magically smoothed over by dedicating just one "Brotherhood Week" every year.
Brotherhood Week was an actual observance in the United States, promoted by the National Conference of Christians and Jews, and ran from 1934 until the mid-1980s. For one week each year, Americans were encouraged to set aside racial, religious, and ethnic differences and celebrate unity — though, as Lehrer sharply points out, the problems were far too deep to be solved with a few polite gestures.
Despite being written decades ago, Lehrer's commentary still feels strikingly relevant — especially in India, where communal tensions remain a painful and persistent reality. Lehrer's humour might seem light-hearted at first, but underneath it carries a sharp and uncomfortable truth.
So Long, Mom (A Song for World War III)
Written during the height of Cold War tensions, this song is a fake tribute from a soldier to his mother — cheerfully describing how he’ll be vaporized in a nuclear strike. It's both hilarious and genuinely chilling. Lehrer's ability to make a joke land and make you think afterward is on full display here.
It’s hard to explain just how much joy Tom Lehrer's music has brought me over the years. His songs are clever without being pretentious, critical without being preachy, and always — always — funny. Even now, in a world filled with more content than ever before, his work stands apart. It feels timeless.
If you haven’t yet explored Tom Lehrer's music, I can't recommend it enough. And thanks to his generosity, it’s easier than ever to dive in — just download his complete works from his website while you still can.
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